He has short black hair and his eyes are also black. What is the physical appearance of Yo Gotti? In 2014, the label published Chapter One, a collaborative record involving the whole lineup. He has worked with many hip-hop artists like Niki Minaj, Slim Thug, DJ Drama, Nelly, Birdman, Jim Jones and has created powerful hip-hop music all through his career. Yo Gotti is currently the CEO and the President of his own music company called Cocaine Muzik Group. He has released numerous mixtape and single albums over the years and has attained high positions in the U.S Rap Chart since the start. His Cocaine Muzik mixtapes received considerable appreciation and his fanbase increased with his ‘Cocaine Muzik 2’, released in 2009. From 2006 to 2017, he released 22 mixtapes. He released his fifth album titled ‘Back 2 da Basics’ in 2006. In 2003, he released his fourth album ‘Life.’ In 2005, his song titled ‘Full Time’ was featured on the popular drama film Hustle & Flow soundtrack. From 2000 to 2002, he released albums like Trap Gangsta hip-hop genres titled ‘Da Dope Game 2 Da Rap Game, ‘Self-Explanatory’ and ‘Block Burning, Vol 1’ under Inevitable Entertainment Label. Yo Gotti was 14 years old when he first released his album ‘Youngsta On A Come Up’ as ‘Lil Yo’ under the ‘Crime Lordz Records’ label in 1996. If Cole going platinum with no features is an incredible, historic achievement (and maybe it is), then we also need to give Drake props for his three platinum albums (with IYRTITL to shortly make it four). How about my girl T-Swift? Her last album, 1989, has currently sold 4.5 MILLION COPIES. If they don't matter at all, then they don't matter for everyone. You can't pick and choose when numbers are reflective of talent and "real hip-hop." Too often it seems like numbers matter only when it's convenient for us. Iggy was one of the most popular, successful "rappers" of 2014 and her album didn't even come close to platinum.īut if we think that numbers matter, than they matter for everyone. Not anyone can sell a million copies anymore. How much you matter and for how long is dependent on so many other things, but at the very least, you can hang your hat on the fact that a million people liked your art enough to buy it when they could get it for free. If your album can sell a million, your music means something to a lot of people, it means you matter. To overcome the odds even though the cards are stacked against you is pretty incredible. Or to put it in music terms, regardless of if you think Drake is talented or not, he's gone platinum repeatedly in an age where album sales are dying like the last days of the dinosaurs, and that's remarkable. It's not everything, but to completely devalue someone based on commercial success doesn't seem fair. #All yo gotti albums that went platinum mac
On the other hand, nearly everyone, myself and my DJBooth brethren included, seems to feel like all these numbers must add up to something. McDonalds may not be the gourmet burger stand, but you know what, a Big Mac is pretty dang tasty. Just because something sells a lot or is popular doesn't automatically make it "great," I think we all agree there. Cole.) McDonalds sells a shit ton of burgers, but that doesn't make them better than the mom & pop burger place on the corner. (Fun fact, Chingy still has more platinum albums than J.
If platinum albums were truly reflective of talent, Ja Rule and Chingy would be in the GOAT discussion.
On one hand no, it doesn't matter at all. On the other end, what if a label really marketed and released an album well? Does that make the artist good? The album good? Or should we be talking about how dope the label's marketing department is?Īnd then of course we're still faced with the biggest question of all: does any of it fucking matter? Still, nobody is going to say, "Oh it took TPAB six extra weeks to go platinum, therefore it's not worthy." That would be absurd. Had Interscope not completely botched the release, would the album go platinum sooner? Imagine if there wasn't a week or two of waiting between us hearing it and the physical copies being made available. What about artists chose to sell their music and artists who give it away for free? Wouldn't Acid Rap have gone platinum if Chance had chosen to sell it? And if we're talking about an artist signed to a major label, they often have relatively little control over their sales. Case and point, To Pimp a Butterfly.
But how stats are compiled is just the surface issue. Even if we somehow determine a perfect algorithm, a synergistic balance between streams, leaks, and physical copies, we're still faced with an avalanche of questions.
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